Søren Kierkegaard Danish philosopher; the “father of existentialism”. Wrote frequently under pseudonyms to present opposing perspectives. His philosophy is a reaction to Hegel’s speculative system and the bourgeois comfort of institutional Christianity.
Key Concepts Three stages of existence: Aesthetic: life oriented toward pleasure, novelty, aesthetics — the despair of inevitable boredom Ethical: commitment to duty, universal morality, marriage — the despair of unforgivable guilt Religious: suspension of the ethical by the singular before God — the “leap of faith” beyond reason Anxiety (Begrebet Angest, 1844): human freedom as “vertigo of possibility”; anxiety has no determinate object (unlike fear) — it is dizziness before the abyss of the possible Despair (The Sickness Unto Death, 1849): unwilling to be oneself, or willing to be other than oneself — the universal condition of humanity without relation to God Subjectivity (“Subjectivity is truth”): existential truth is not attained through Hegel’s objective speculation, but through subjective and passionate commitment Leap of faith: Abraham who goes to sacrifice Isaac — an act that suspends the ethical and makes sense only before the singular of God; Camus criticizes it as “philosophical suicide” Pseudonyms: Victor Eremita, Johannes Climacus, Anti-Climacus, Constantine Constantius — each represents a stage or perspective Influenced by Hegel — point of departure and principal adversary; rejects the speculative system Socrates — irony and indirect method; identified with him Plato — dialogues and Socratic position Luther — individual faith against institution Influenced Heidegger — anxiety, authenticity, being-toward-death Sartre — radical freedom, bad faith, existential project Camus — the absurd (but rejects Kierkegaard’s leap of faith) Simone de Beauvoir — concrete existential situation Existential theology (Karl Barth, Paul Tillich) Works Either/Or (1843); Fear and Trembling (1843); The Concept of Anxiety (1844); Stages on Life’s Way (1845); Philosophical Fragments (1844); The Sickness Unto Death (1849); The Point of View for My Work as an Author (1859, posthumous).
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